8-21-99 The Greek Theatre Berkeley, CA
Phil Lesh & Friends

(click here to see two-day-in-review reviews)

14:50:01 08/25/99 Wed Two Views of a Secret, Part II: Phil Lesh and Friends, 8/21/99

                                                       Phil Lesh bass, vox
                                                      Steve Kimock, guitars
                                                      Al Schneir guitar, vox
                                              Michael Kang violin, electric mandolin, vox
                                                 Kyle Hollingsworth keyboards, vox
                                                       John Molo drums 

Dancing in the Streets->Cosmic Charlie; Bird Song; Crazy Fingers; Footprints; 
The Wheel->Terrapin 

encore: organ donor rap; Box of Rain

The second day of our Berkeley hajj started out like "The Flight of the Phoenix"...it took 
great effort, heavy equipment, and the timely summons to meet friends in Berkeley for 
the pre-show to get us out of the room and rolling across the Bay. But surprisingly 
enough, we made it over to the Greek ahead of the scheduled 6pm start, only to find 
that compared with Friday the venue was totally rammed, and the only space for our
group of 6+ was way, way up on the lawn. So we ascended the long stairways to the 
green, green grass of home, to be greeted once again by what must be the finest view
from any venue in Christendom (possibly excepting Red Rocks, where I’ve never been)
...the campus with its clock tower, spreading out behind the stage wall, Berkeley laid out
in the sun behind, the Bay, San Francisco, and the hills of Marin off in the distance, all 
arrayed under a cloudless summer sky and broiling sun. As we applied sunscreen and
the other requisite topical medications, String Cheese Incident took the stage. 

I found their performance at last New Year’s to be plodding, unconvincing, and 
downright interminable...but on the day they easily took this year’s "Most Improved"
award. Perhaps it’s the amount of touring they’ve been doing, or the additional 
confidence they must have gained by being accepted into the Big Boys League, but 
their set was consistently interesting, and Michael Kang’s playing had a whole different 
dimension than his previous work...much more cohesive, longer lines, and better 
thought out. Their only real weakness was, as is too often the case with "jam bands," 
a relative lack of memorable material, with the bluegrass stuff sticking  most readily in 
the mind. 

After a quite wonderful fill-in set by a 2-acoustic-guitars-and-bass group, who charmed 
with their Django-esque jazzy tunes (by end of set they’d whittled down to a single 
guitarist, who filled an amazing amount of musical space, backing himself and soloing
simultaneously) moe. were introduced at 7:20pm, and launched into a noisy yet
unmemorable opener which vacillated between Phish-in-a-bad-mood and Radiohead-lite,
but then took off into an utterly stellar jam...this dichotomy was reiterated and reinforced
for the next hour, as songs which left an utter lack of memorable impression were 
extended and connected by long, long stretches of astonishing improvisation. Their take
on the crypto-Caribbean groove which seems to be the lingua franca of the jam-band 
movement was particularly compelling, and had me dancing in the food line in spite of 
myself as the sun set over the coastal ranges. If these guys can ever come up with 
material to match their improvisational skills, they’ll be kings. 

Another amazingly efficient set change brought Phil and the expanded Friends to the 
stage at 8:50 sharp (again), where they immediately launched into a "Dancing in the 
Streets" which neatly split the difference between the Dead’s 1970 and post-‘76 
arrangements, that is, between a traditional soul feel and a more "modern" (i.e. post-disco)
groove. Al Schneir took the lead vocal, with Kang harmonizing, and after a couple of
introductory verses we were off in search of the lost chord again, with the jam spiralling 
off in different directions. Compared to Friday, the band’s sound was denser, "rockier," 
and more immediately compelling...Kimock started out the set playing his Gibson 
Explorer, which is my favorite instrument to hear him on, as the thicker tone and longer
sustain of the humbucking pickups makes him play differently, bringing a touch of Jeff 
Beck to his already-cornucopic palette. The band whipped the audience into a frenzy
early on with one of those classic jam-band vignettes where the lead soloist holds a 
short repeated pattern while the rhythm section churns away behind him, building and 
building until they break out into the next level. 

A long, episodic series of solos from the string players (with Kang on the electric 
mandolin here) spun into a jam sequence very reminiscent of the "Viola Lee Blues" jam 
from the 4/15/99 show, with Phil pulling the group through a key change and into an
E-minor/G pattern before bringing it down to a place so quiet and slow that I couldn’t 
imagine them being able to make it back to the original theme...but somehow they did,
after Phil stepped up with the closest thing to a bass solo we heard all weekend (you 
may have edited yours out of "Dick’s Picks One," but I, at least , love your solos, Phil). 
As they reprised the vocals for the ending, Kyle romped around on the electric organ, 
skirling out the bagpipe-like horn riff from the Motown original, and they rolled into a 
long rumble over the last chord which resolved into the introduction to "Cosmic Charlie," 
thirty minutes after lift-off. 

This "Cosmic..." was the best rendition I’ve heard from P&F this year--far better than
the limpid Phil/Phish version--but it didn’t get anywhere the joyous incandescence of the
1/31/98 Phil/Gans/Welnick version. That said, it was just fine, Phil cueing the group 
through extensions of the between-verses riffs, and Kang’s fiddle playing added a nice
"Wake of the Flood" touch...though Phil’s harmonies were ragged, as he switched from 
part to part trying to stay in his range. 

The Big Dipper was hanging low in the sky over us as the first notes of "Bird Song" 
floated out over the crowd in a long, gentle rush of sweet sound...Phil’s voice remained 
rough, but took on an additional sweetness as the audience joined in on vocals, 
harmonizing throughout. The solo section was rather reminiscent of the odyssey the 
Other Ones took through "Cassidy" at Camden last year, with Kimock, having returned 
to his "Dan-o-Caster," taking flight over a bed of chiming piano and mandolin as the 
band played with the theme like a cat gently batting a mouse. 

Next was "Crazy Fingers"... "Bird Song," then "Crazy Fingers!" Kang took the lead 
vocal here, and I must agree with the reviewer earlier on the tour who called his 
rendition "weak"...though the playing was lovely, as a whole this was anticlimactic 
until the coda, which yielded a long, burbling jam which more than made up for the 
unrealized potential of this, one of my most-beloved Jerry ballads. 

In the ‘jazz slot," we got a beautiful version of Wayne Shorter’s "Footprints," an 
angular but charming Coltrane-ish ballad based around a chord change similar to 
Miles’ "So What," with an extended-harmony jazz chord which shifts up a half-step 
and back. This one featured some of the finest music of the entire engagement, Phil 
walking up and down the chords as Kyle and Molo waxed Tyner-and-Jonesish and 
Kimock simply stunned, all over the changes like a fresh coat of paint with some of
the best jazz guitar playing I’ve heard in years... the restatement of the melody was
harmonized beautifully, with all the melody instruments chiming in, and the ending 
was received with the longest, warmest ovation of the entire night. 

Apparently Phil was going, as Neil Young says, "deep into the Rust Bucket," pulling 
out my favorite Hunter texts, as "The Wheel" came next. I was holding my breath here, 
remembering the disappointing hash that they made of this at the Phil/Phish shows, but
they won through...during the verses, Molo pared his drumming down to its simplest as
the singers struck a plaintive country and western feel, stiff compared to the Dead but
lovely nonetheless, and rolling into the more polyrhythmic Kreutzmann feel for the inter-
verses and solos. As they sang the last chorus, I was finally able to let go of the fear
they’d blow it, and the tears came...this has long been my favorite Hunter lyric, and it 
was a joy to hear it sung again. 

The jam out of "The Wheel" spun and danced as the moon moved out from behind the 
trees and hung bright over the lawn and Phil gradually edged the band into a key change
from C to F, which, given the recent repertoire, could mean only one thing..."Terrapin." 
By now, I was speechless at the progression from one (sorry, folks, but I can’t help it)
holy text to the next. Thankfully, rather than the round-robin vocal approach which they 
used at the Phil/Phish shows (and which fragmented the narrative unnecessarily), Phil
took the lead vocal throughout, and his still-raspy voice grew tender as he told the old 
story, jumbling a word here and there (to which my girlfriend whispered "Jerry’s 
here...”) and paring his bass lines to the bone as he sang. The solo was an orchestration 
of Garcia’s classic solo melody, Kimock nominally in the lead with Al , Michael, and 
Kyle chiming along...and what else would one want here? 

A brief interlude of improvisation over the "Lady With a Fan" coda led us inexorably 
into the transition to the second theme, as the now-rapt crowd stood on the edge of its 
collective heart’s seat and roared as Phil broke into the "inspiration..." section, his singing
now impassioned, cracked yet beautiful, a rose in a tarnished vase. We sang with him, 
the whole audience seeming to shout out "TERRAPIN!!" as the singing-song ended and
that most beloved to me of all Garcia’s musical passages, the "Terrapin" coda, began. 

At first the lamp seemed to burn low, the arpeggios and chord changes lilting rather than 
pinning me to the spot like the best Dead versions, but they built and built, rising to an
almost fiendish intensity, then refusing to let it go... they would begin to quiet down, then 
grab hold of the second half of the theme and roar back into flame. As they began to 
drop back, Phil began droning in D while the melody instruments continued playing the
arpeggiated part of the theme, creating a beautiful modern jazz rondo feel before the 
guitars began to churn. They jammed for several minutes, going out so far that I thought
they’d go for "Playing in the Band" and totally blow the 11:00 curfew, until Phil began
thundering out the bass line for the chord progression again, reeling the band back into
yet more mantric repetitions of  the theme, then finally bringing it home with one last
thunderous chord. 

By now we were really pushing the curfew, and Phil’s plea for organ donation was
truncated and the return of the rest of the band hurried. After a set list like this, it could 
only have been "Box of Rain, driving home yet again just how profound Hunter’s lyrics
can be. Phil’s voice sounded its best all weekend here, and Kang’s violin added a soulful
country lilt. Perhaps this wasn’t the most transcendent "Box" of recent times...it didn’t
nail me to the floor like the 2/28/98 version did...but it suited me just fine, and laid a final
soft kiss on our heads to send us home, Phil singing "and a short time to be there...to be
...TO BE..." 

With that, we slowly gathered ourselves, our friends, and our belongings, and I 
reluctantly let the Greek go, wondering whether I’d ever see the likes of this again as 
we wandered down to the BART and, at last, to bed, weary, battered, yet content.
"Goodbye, Greek Theatre..." 
                                                            notes: 

  o Kang’s playing was very different than on Friday...much more coherent, longer lines, more interesting solos, and even better pitch on the violin. 

  o If, as Tom Constanten says, "‘Dark Star’ never begins, and it never ends...it’s going on right now," this show was an argument for the proposition that there’s a Caribbean jam-rock groove going on constantly as well...at some point, every band on the night’s bill sounded like KVHW in tropical mode! 

  o This was by far the best-produced multi act show I have I ever seen...and far superior to the multi-stage HORDE/Lilith/Lollapalooza format. Possibly the change from the early-tour alternation of Friends on nights their own bands weren’t playing made the set-up/changeover simpler...but the production crew deserve high praise indeed. 

  o Some may argue the quality of the performances, but you’d have to have a heart of stone to quibble with that set list. 

  o I did not find the sound on the lawn to be muddy or too quiet, contrary to other reports...at least when folks sang along you could still hear the band, as different to the TOO Shoreline show. 

  o If Phil plans on doing more touring in the summer-cold season, I recommend adding the Smith Brothers to his list of Friends ;o)

greek saturday night show -- elizabeth reed, 19:43:45 08/22/99 Sun

What a huge disappointment,,,,they never got it off the ground...it was doodle soup,luke warm, all the ingredients were there but they just jammed like it was an afternoon session amongst friends that were forced to show up....the crowd was asleep around me....for real....how tragic....all those fans for the second night at the greek....monumental potential....friday was obviously the show...this was very much a show for the musicians.....the crowd finally cheered big at the end? when phil  said "you've been so quiet"....I am a very old deadhead ('69-st louis wash. u. quad it rained)and I've had two separate organ transplants myself..... as well as I play in a band that does dead, phish, ABB, etc tunes.....like all of us I have perspective and experience with the music and the players but I was amazed at how they ignored the crowd...played music for themselves and never got it going....I still love them all but go read the set list.....there is nothing there....all very lifeless stuff in the grander scheme of things that could/should have been done....so much for my griping but it was not that great....moe saved the show with their energetic style and
                                                            jam....

Re: greek saturday night show -- Chris Donahue, 08:42:31 08/23/99 Mon

              > what a huge disappointment,,,,they never got it off
             .>the ground...it was doodle soup,luke warm, all the
              > ingredients were there but they just jammed like it
              > was an afternoon session amongst friends that were
              > forced to show up....the crowd was asleep around
              > me....for real....how tragic....all those fans for the
              > second night at the greek....monumental
              > potential....friday was obviously the show...this was
              > very much a show for the musicians.....the crowd
              > finally cheered big at the end? when phil said "you've
              > been so quiet"....i am a very old deadhead ('69-st
              > louis wash. u. quad it rained)and i've had two
              > separate organ transplants myself..... as well as I
              > play in a band that does dead,phish,ABB,etc
             > tunes.....like all of us I have perspective and
              > experience with the music and the players but i was
              > amazed at how they ignored the crowd...played music
              > for themselves and never got it going....i still love
              > them all but go read the set list.....there is nothing
              > there....all very lifeless stuff in the grander scheme
              >of things that could/should have been done....so much
              > for my griping but it was not that great....moe saved
              > the show with their energetic style and jam....

Isn't amazing how two people can have such contrasting opinions on the same show. Your post and the one before [  *  ] seems like one of you actually wasn't there.
Could it have been that bad? Really? The Denver run was flawless I thought. I am a musician as well, I have played guitar for years in many different fusion bands. I was incerdibly happy with Haynes and the string cheese guy. I guess it is easier when you don't put such high expectations from the ones you love?
____________________

[ * ] please note – some reviews posted may be out of chronological order due to reorganized formats.                                                                                            _______________________

Re: greek saturday night show -- Schneider Sucks, 13:22:40 08/23/99 Mon

                          > what a huge disappointment,,,,they never got it off
                          > the ground...it was doodle soup,luke warm, all the
                          > ingredients were there but they just jammed like it
                          > was an afternoon session amongst friends that were
                          >forced to show up....the crowd was asleep around
                          > me....for real....how tragic....all those fans for the
                          > second night at the greek....monumental
                          > potential....friday was obviously the show...this was
                          > very much a show for the musicians.....the crowd
                          > finally cheered big at the end? when phil said "you've
                          > been so quiet"....i am a very old deadhead ('69-st
                          > louis wash. u. quad it rained)and i've had two
                          > separate organ transplants myself..... as well as I
                          > play in a band that does dead,phish,ABB,etc
                          > tunes.....like all of us I have perspective and
                          > experience with the music and the players but i was
                          > amazed at how they ignored the crowd...played music
                          > for themselves and never got it going....i still love
                          > them all but go read the set list.....there is nothing
                          > there....all very lifeless stuff in the grander scheme
                          > of things that could/should have been done....so much
                          > for my griping but it was not that great....moe saved
                          > the show with their energetic style and jam....

I'll conceed that AL Schneider is the biggest annoying loser I have ever seen and he destroyed the dancin' and cosmic charlie, but how can you possibly say that the crazy fingers terrapin station and box were poor. Phil sang that terrapin more beautifully than I could possibly have imagined. If you couldn't hear the power of it then maybe you have just seen one too many shows and should kick down your ticket to someone who can.

Re: greek saturday night show -- Richie, 15:53:01 08/23/99 Mon

                                         > > what a huge disappointment,,,,they never got it off
                                         > > the ground...it was doodle soup,luke warm, all the
                                         > > ingredients were there but they just jammed like it
                                         > > was an afternoon session amongst friends that were
                                         > > forced to show up....the crowd was asleep around
                                         > > me....for real....how tragic....all those fans for
                                         > the second night at the greek....monumental
                                         > > potential....friday was obviously the show...this was
                                         > > very much a show for the musicians.....the crowd
                                         > > finally cheered big at the end? when phil said
                                         > "you've been so quiet"....i am a very old deadhead ('69-st
                                         > > louis wash. u. quad it rained)and i've had two
                                         > > separate organ transplants myself..... as well as I
                                         > > play in a band that does dead,phish,ABB,etc
                                         > > tunes.....like all of us I have perspective and
                                         > > experience with the music and the players but i was
                                         > > amazed at how they ignored the crowd...played music
                                         > > for themselves and never got it going....i still love
                                         > > them all but go read the set list.....there is nothing
                                         > > there....all very lifeless stuff in the grander
                                         > scheme of things that could/should have been done....so much
                                         > > for my griping but it was not that great....moe saved
                                         > > the show with their energetic style and jam

                                         > I'll conceed that AL Schneider is the biggest annoying
                                         > loser I have ever seen and he destroyed the dancin'
                                         > and cosmic charlie, but how can you possibly say that
                                         > the crazy fingers terrapin station and box were poor.
                                         > Phil sang that terrapin more beautifully than I could
                                         > possibly have imagined. If you couldn't hear the power
                                         > of it then maybe you have just seen one too many shows
                                         > and should kick down your ticket to someone who can.

Wow, that is a nasty jab, my man. People see lots of shows, they try and catch the one that rocks their soul, and this one didn't do it for him, or for me. It was uninspired and flat. There were moments of brilliance, but not enough. Phil even commented himself, "It sure is quiet out there." Well, yeah, Phil, we're bored to death!!

To be fair, I did see enough music, and I did kick down my Santa Barbara ticket. I understand I missed a magical night. But my cup was full.

Re: greek saturday night show -- Keith Siver, 06:41:06 08/24/99 Tue

                                          > what a huge disappointment,,,,they never got it off
                                          > the ground...it was doodle soup,luke warm, all the
                                          > ingredients were there but they just jammed like it
                                          > was an afternoon session amongst friends that were
                                          > forced to show up....the crowd was asleep around
                                          > me....for real....how tragic....all those fans for the
                                          > second night at the greek....monumental
                                          > potential....friday was obviously the show...this was
                                          > very much a show for the musicians.....the crowd
                                          > finally cheered big at the end? when phil said "you've
                                          > been so quiet"....i am a very old deadhead ('69-st
                                          > louis wash. u. quad it rained)and i've had two
                                          > separate organ transplants myself..... as well as I
                                          > play in a band that does dead,phish,ABB,etc
                                          > tunes.....like all of us I have perspective and
                                          > experience with the music and the players but i was
                                          > amazed at how they ignored the crowd...played music
                                          > for themselves and never got it going....i still love
                                          > them all but go read the set list.....there is nothing
                                          > there....all very lifeless stuff in the grander scheme
                                          > of things that could/should have been done....so much
                                          > for my griping but it was not that great....moe saved
                                          > the show with their energetic style and jam....

Here's my two cents: I thought the Saturday night show was incredible, and far superior to Friday night. The Dancin' was simply epic, ranging into distant realms of psychedelia before being brought back to a rousing climax. The Cosmic Charlie was also smokin', and I really liked the Crazy Fingers as well. Terrapin was transcendent. I thought Kimock stepped it up to a new level; he was all over it. Kang and Schnier fit in well, and Phil was right on. String Cheese and Moe
absolutely rocked to open the show (especially Moe, I have never seen them so ON). No complaints here, folks, I was a very happy head this evening.

Re: greek saturday night show -- padget dean, 13:52:01 08/26/99 Thu

                                          > what a huge disappointment,,,,they never got it off
                                          > the ground...it was doodle soup,luke warm, all the
                                          > ingredients were there but they just jammed like it
                                          > was an afternoon session amongst friends that were
                                          > forced to show up....the crowd was asleep around
                                          > me....for real....how tragic....all those fans for the
                                          > second night at the greek....monumental
                                          > potential....friday was obviously the show...this was
                                          > very much a show for the musicians.....the crowd
                                          > finally cheered big at the end? when phil said "you've
                                          > been so quiet"....i am a very old deadhead ('69-st
                                          > louis wash. u. quad it rained)and i've had two
                                          > separate organ transplants myself..... as well as I
                                          > play in a band that does dead,phish,ABB,etc
                                          > tunes.....like all of us I have perspective and
                                          > experience with the music and the players but i was
                                          > amazed at how they ignored the crowd...played music
                                          > for themselves and never got it going....i still love
                                          > them all but go read the set list.....there is nothing
                                          > there....all very lifeless stuff in the grander scheme
                                          > of things that could/should have been done....so much
                                          > for my griping but it was not that great....moe saved
                                          > the show with their energetic style and jam....
                                ************************************************************
hmmmmm- I have to disagree with your opinion on the saturday night show big time. It took me out there- I was floating around the greek in a musical space that was so intricate and unique. halfway through "dancin' in the streets" it hit me (i was skeptical from the friday night show which, didn't do much for me- other than tons of steel). "Cosmic Charlie" was done in a very phishesque fashion- which I loved! Terrapin didn't inspire you? Wheel didn't get you rolling?
the sound was good saturday night (as opposed to friday)- the musicians were on and i felt like they were taking the crowds spacey energy and throwing it back at us. it was beautiful.

                                                           -padget

8/21/99 -- da Flower Punk (Timothy Lynch), 08/23/99

<excerpt from pauserecord.com article>

By the time Phil & Friends hit the stage the Greek was overflowing with happy people. Every empty space had filled and the crowd was there to party. Phil & Friends this
night was again made up of Steve Kimock, John Molo, and Kyle Hollingsworth, joined by Al Schnier (moe.) on guitar, and Michael Kang (SCI) on mandolin and fiddle.
This unit was far stronger than the previous night's lineup, with no one player overly dominating the sounds. Hollingsworth, who had been turned down somewhat in
the mix the night before, was allowed to really shine on the keyboards this night. Schnier took some great leads, but also allowed Kimock plenty of room to grow his solos.
Kang offered more than scales as filler this night as well. A solid show all the way through, beginning with the very long "Dancing In The Streets." Wayne Shorter's jazz
number "Footprints" must also be counted among the highlights.

Aug 21 Phil& Friends -- MReines, 19:32:30 08/22/99 Sun

Clearly the Sat show was superior to Friday. Primarily the set list, intensity, and the Stevie K jamming. Although I appreciate Haynes, putting him on stage with Kimock is not to Warren's advantage. Stylistically, Haynes is a poor fit for solo-lead vis a vis Kimock who shines in this setting. Al from moe. was a more compatible fit and musically in sync. I was impressed with the informality (each tuned his own instrument) and at the same time the professional nature of the production. This appears to be the beginning of a musical troupe that will identify its own identity while appeasing Deadheads that appreciate unspoken musical communication as defined by the Grateful Dead. Phil has a perspective and priorities that we should all emulate.

Re: Aug 21 Phil& Friends -- Chris Donahue, 08:46:26 08/23/99 Mon

                                        > Clearly the Sat show was superior to Friday. Primarily
                                        > the set list, intensity, and the Stevie K jamming.
                                        > Although I appreciate Haynes, putting him on stage
                                        > with Kimock is not to Warren's advantage.
                                        > Stylistically, Haynes is a poor fit for solo-lead vis
                                        > a vis Kimock who shines in this setting. Al from moe.
                                        > was a more compatible fit and musically in sync. I was
                                        > impressed with the informality (each tuned his own
                                        > instrument) and at the same time the professional
                                        > nature of the production. This appears to be the
                                        > beginning of a musical troupe that will identify its
                                        > own identity while appeasing Deadheads that appreciate
                                        > unspoken musical communication as defined by the
                                        > Grateful Dead. Phil has a perspective and priorities
                                        > that we should all emulate.

I can't believe you can actually say anything negative towards Warren. Him and Kimock are completely different in there approach. If you were in Denver, Warren shinned much brighter then Kimock. What a brother he is as well to come to Phil’s side. Keep the negative vibe to yourself. Warren, keep it comimg. 

Re: Aug 21 Phil& Friends -- MReines, 10:59:44 08/23/99 Mon

                                        > > Clearly the Sat show was superior to Friday.
                                        > Primarily the set list, intensity, and the Stevie K jamming.
                                        > > Although I appreciate Haynes, putting him on stage
                                        >> with Kimock is not to Warren's advantage.
                                        > > Stylistically, Haynes is a poor fit for solo-lead vis
                                        > > a vis Kimock who shines in this setting. Al from moe.
                                        > > was a more compatible fit and musically in sync. I
                                        > was impressed with the informality (each tuned his own
                                        > > instrument) and at the same time the professional
                                        > > nature of the production. This appears to be the
                                        > > beginning of a musical troupe that will identify its
                                        > > own identity while appeasing Deadheads that
                                        > appreciate unspoken musical communication as defined by the
                                        > Grateful Dead. Phil has a perspective and priorities
                                        > > that we should all emulate.
                                        > I can't believe you can actually say anything
                                        > negaative towards Warren. Him and Kimock are
                                        > completely different in there approach. If you were in
                                        > Denver, Warren shinned much brighter then Kimock. What
                                        > a brother he is as well to come to Phils side. Keep
                                        > the negative vibe to yourself. Warren, keep it comimg

The only fair assessment includes all aspect positive and negative. I intended no offense to anyone, this is simply my perspective. In fact, I in no way dissed Warren.  Stylistically he was a poor fit, in my opinion, the night I saw the show. Maybe next time things will be different. Righteous indignations about subjective matters beg negativity.

Re: Aug 21 Phil& Friends -- Chris Donahue, 13:37:29 08/23/99 Mon

                                        > Clearly the Sat show was superior to Friday. Primarily
                                        > the set list, intensity, and the Stevie K jamming.
                                        > Although I appreciate Haynes, putting him on stage
                                        > with Kimock is not to Warren's advantage.
                                        > Stylistically, Haynes is a poor fit for solo-lead
                                        > vis a vis Kimock who shines in this setting. Al from
                                        > moe.  was a more compatible fit and musically in sync. I
                                        > was impressed with the informality (each tuned his own
                                        > instrument) and at the same time the professional
                                        > nature of the production. This appears to be the
                                        > beginning of a musical troupe that will identify
                                        > its own identity while appeasing Deadheads that
                                        > appreciate unspoken musical communication as defined by the
                                        > Grateful Dead. Phil has a perspective and
                                        > priorities that we should all emulate.
                                        > I can't believe you can actually say anything
                                        > negaative towards Warren. Him and Kimock are
                                        > completely different in there approach. If you were
                                        > in  Denver, Warren shinned much brighter then Kimock.
                                        > What a brother he is as well to come to Phils side. Keep
                                        > the negative vibe to yourself. Warren, keep it comimg
                                        > The only fair assessment includes all aspect positive
                                        > and negative. I intended no offense to anyone, this is
                                        > simply my perspective. In fact, I in no way dissed
                                        > Warren. Stylistically he was a poor fit, in my
                                        > opinion, the night I saw the show. Maybe next time
                                        > things will be different. Righteous indignations about
                                        > subjective matters beg negativity.

Right on Brother, We all do have different opinions, I was only givin some back to my boy Warren -- CD